I wouldn’t believe an artist who claims they’ve never experienced a dry spell, never wondered whether they’d sapped their creativity dry or never avoided the studio for fear of facing failure. Trust me, I’ve been there but I’ve learned some tricks along the way to overcome these perils.
Oh Hold
Domestic Routines, Modest Lives, Being simple
Breath
Forever After Island
I’m looking through the window of my lifeless memory,
Watching what I would have been had I chosen to be free,
I am One of These
I am one of these,
One of those who fights to flee,
From whom?
Older And Yes, Still Emerging!
When you are out at an art show this year use your new 2020 perfect sight to your advantage. Notice that emerging up-and-coming art and artists aren’t always where you may expect them to be. Nor may they look like they someone you expected them to look like. Open your eyes and open your mind.
Historical Marvels: The Journey of the Astrolabe
The astrolabe also known as the “star-taker” is an ancient tool that was used to determine the position of the sun and the stars. The earliest forms of the astrolabe were originally invented during the Hellenistic era1 in 150 BC in Greece and was eventually integrated into the Islamic world and gained credibility as an instrument of great importance.
Touch of Dreams
3 digital artworks showing how dreams can look when touched by modern technologies, or – Surreality of dreams forged into digital abstracts.
Poet Pots
I have handmade 101 clay pots with the faces of different poets from around the world on them. I am leaving the pots, along with poems by those poets around the city for people to discover, read, and take home with them.
MEMENTO MORI
Karen Grosman is based in Toronto, Ontario. Her practice concentrates on painting, ceramic sculptures and large scale ceramic art installations.Recent paintings deal with concepts of death, rebirth, and impermanence. Ceramics explore ideas of superficiality, hidden meanings, the façade and the abject.
Seo Young Chang’s Solo Exhibition – “Off”
The precarious state of human existence has been a primary question in Seo Young Chang’s work. In an attempt to describe someone’s repetitively denied way of existing and its possible form, the artist sets up a situation by using repetitive movements, texts, rules, conditions, and narration.
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