The first real jazz recording I ever listened to was The Dave Brubeck Quartet at Carnegie Hall, recorded live on February 21, 1963. I was about fifteen (and had recently switched from accordion to piano at the urging of my music teacher, an outstanding jazz pianist himself) when my father purchased the double LP through the Columbia Record Club to play on his new stereo components. For some reason, it quickly became a ritual for me to put this record on while the family was having bacon-and-egg breakfast after Sunday Mass. The ritual soon became known as Breakfast with Brubeck; my Mother and my sisters still remember, with reluctant fondness, the very live jazz that dominated rather than accompanied our Sunday-morning repast.
That winter night, in the midst of a New York newspaper strike, Brubeck, altoist Paul Desmond, bassist Eugene Wright, and virtuoso drummer Joe Morello gave an electrifying performance. Having not quite migrated from 1960s rock, I was mostly drawn to the driving rhythms of Brubeck’s percussive piano and Morello’s fabulous drumming. It was not until much later that I could appreciate the beauty and genius of Desmond’s playing and the complex and difficult time signatures that the group favoured.
I remember attending a Brubeck concert (I don’t think it was the same group), probably at the old Forum at the Pacific National Exhibition, in the very early seventies. There could not have been more than thirty or forty people in the audience. Brubeck played a couple of numbers, said something to the effect of “Well, this is a complete waste of time,” and left the stage. This was one of many sad moments at that point in the history of jazz, when the genre had become almost entirely eclipsed by rock music. Thank God for the likes of Wynton Marsalis who helped restore jazz to a level of popular appreciation, allowing the careers of greats like Brubeck to be restored.
It was not until the early 2000s that The Dave Brubeck Quartet at Carnegie Hall came out on CD. When it did, I purchased two copies, one for myself and one for my Dad. I gave my Dad his copy at a family gathering and we sat on the sofa in his house and listened to it at full volume, just as we did in the old Breakfast with Brubeck days. It was a sweet moment.
Dave Brubeck died today at the age of 91. Thank you, Dave, for giving my Dad and me so much pleasure over Sunday breakfast, and may you rest in peace.
Photo Credits
“Dave Brubeck Quartet” by Heinrich Klaffs Creative Commons, Some Rights Reserved
Home Page Featured Image – Dave Brubeck Quartet at Congress Hall Frankfurt
by dontworry – Wikipedia Creative Commons
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Oh, please write about that! I’m sure it’s gonna be hilarious and sweet.
I love the fact that this was a ritual at breakfast, for awhile ours was dad reading us Dr. Zuess at the table even though we were already teenagers!
He did this, in a sense, with his own sons as well. Thanks for the comment, Michaelene.
Ross, thanks for your article honoring Dave Brubeck. Not only a great musician, but apparently one who could bring father and son full circle with his music.
A lovely and touching tribute to the great Brubeck.
Thank you ross
Thanks for reading, Susan, and for your kind comment.
Thanks for your Dave Brubeck memories, Ross. He was one of my all-time favourite jazz artists. What a gift to be able to experience his magic in person. With his death today we lost a true gift to the music world.
Thanks, Tess. Indeed with the passing of Brubeck, the “old-timers” are pretty much gone now. Thank goodness for recordings, eh?
Hi Ross,
Thanks for sharing your memories of Dave Brubeck. Take Five is still one of my all time favorite tunes.
Today … we have lost a giant … indeed … may he rest in peace!
Cheers,
Gil
Thanks, Gil. I love Take Five as well. It is the encore on the Carnegie Hall album, which features other great Brubeck/Desmond tunes like Blue Rondo a la Turk, Eleven-Four, It’s a Raggy Waltz, and Three to Get Ready….oh, and Bossa Nova U.S.A.
It is now on my MUST GET list!
Thanks Ross!
Cheers,
Gil